Unforeseen 1

Unforeseen 1

15th Sep 2013

3pm

Unforeseen

A project by Fergus Kelly, David Lacey, Paul Vogel, Anthony Kelly, David Stalling

(This event is the first part in a two-part project.)

As improvisers these artists have been working in various combinations for many years, but not as a complete grouping. It is their intention to develop a playing relationship across a series of recorded live events to explore this grouping and varying combinations within it. They will employ various strategies to change the dynamic of each performance. Their instrumentation involves invented instruments, electronics, computer, clarinet & percussion.

The nature of the performance space will have an input into their playing, and the relationship with the audience. Quiet, intimate spaces are generally best suited to concentrated, focussed engagement, where the decibel level can occasionally teeter on the threshold of audition. During Unforeseen they will explore playing in some of the different spaces of The Joinery. Each event will be between 60 or 70 mins or so in duration.

As the project develops the artists will include images and short sound excerpts at http://livecomposition.wordpress.com

After the performances at The Joinery we intend to continue the project in other venues.
Please check our web page for more details.

Biographies

David Lacey is a musician from Dublin. He uses drum set, crude electronics, found objects and cassettes. He plays regularly with Rob Casey, Fergus Kelly, Cian Nugent and Paul Vogel and in the bands Chip Shop Music and Legion of Two. Previous collaborations include Rhodri Davies, Annette Krebs, Keith Rowe and Mark Wastell. Since 2005, he has co-curated, with Paul Vogel, the i-and-e festival of improvised and contemporary music. Recent projects have included a duo with Patrick Farmer and a two-band collaboration between Chip Shop Music and Barcelona trio Atalon.

Paul Vogel is an ordinary, standard b-flat, run of the mill type clarinettist. In his spare time he likes to listen to Bix Beiderbecke with his chums.

Anthony Kelly and David Stalling collaboration encompasses sound and audiovisual works in multiple forms and media. Using found materials and improvisation as frequent points of departure, they create sound and video compositions ranging from smallscale interventions to immersive, multi-sensory installations, which combine objects, recorded and live sound, still/moving image and objects. Kelly and Stalling also perform live improvisations, as a duo as well as with others, such as The Quiet Club, Barbara Lüneburg and Jennifer Walshe. Some of their recent performances include Just Listening, LSAD Limerick, the i-and-e festival 2011, Dublin, Sonic Vigil, Cork, The Goethe-Institut,Dublin, Hilltown New Music Festival, Visual in Carlow, Soundwave 2, Cobh, and Kaleidoscope at The Odessa Club. They founded the sound art label Farpoint Recordings in 2005, publishing projects by Stephen Vitiello, Jennifer Walshe, Fergus Kelly, The Quiet Club, and Linda O’Keeffe, and many others alongside their own work.

Selected performances/exhibitions: 2013: Sonic Vigil at the Lewis Glucksman, Cork; Auralog
Fifth Draft: Meer MUir ΘΑΛΑΣΣΑ Sea, Goethe-Institut, Dublin; Sounds Like Art, The Joinery, Dublin. 2012: Hilltown New Music Festival, Co. Westmeath; Strange Attractor, Studio Soto, Boston and Harvestworks, New York. 2011: Strange Attractor, Café Oto and Pigeon Wing, London; Sonic Vigil 6, Triskel, Cork; Hilltown New Music Festival, Co. Westmeath; Auralog Fourth Draft: The Presence Of Trees, The Return Gallery, Goethe Institute, Dublin; Yellow, SOMA, Waterford; Just Listening, LSAD, Limerick; Strange Attractor, Crawford Art Gallery, Cork. 2010/11: Shorelines, touring exhibition, venues include Sir Wilfred Grenfell Gallery, Cornerbrook, Newfoundland, The Rooms, St. Johns, Newfoundland, Mermaid Arts Centre, Wicklow and Siamsa, Co. Kerry and Ten Days On The Island, Tasmania; WAFER at SOMA Contemporary Art Box, Waterford; Sonic Vigil V, St. Fin Barre’s Cathedral, Cork. 2009: Unknown Point as
part of Visualise Carlow & Eigse; Frequencies at the Basement Gallery, Dundalk. 2008: Two Places at Ormeau Baths Gallery, Belfast & Limerick University; The Incubation Space – artist residency (Aug – Nov) at The LAB, Dublin; Auralog at This Is Not A Shop gallery, Dublin as part of DEAF festival; screenings at Anthology Film Archives, New York, 2006 & 2008.

www.farpointrecordings.com
www.radiossilent.org

Fergus Kelly is an artist from Dublin working with field recording, soundscape composition, invented instruments and improvisation. He has shown nationally and internationally and received many Arts Council awards. In 2005 he established a CDR label and website, Room Temperature, as an outlet for his solo and collaborative work, producing the CDs Unmoor (2005), Material Evidence (2006), Bevel (2006) (with David Lacey), A Host Of Particulars (2007), Strange Weather (2007), Leaching The Pit (2008), Swarf (2009), Fugitive Pitch (2009) and Long Range (2010).

A new album, A Congregation Of Vapours, was released to critical acclaim by Farpoint Recordings in May 2012.

http://www.roomtemperature.org/
http://www.asullenrelapse.blogspot.com/
http://www.soundcloud.com/fergus-kelly

*Unforeseen* A project by Fergus Kelly, David Lacey, Paul Vogel, Anthony Kelly, David Stalling (This event is the first part in a two-part project.) As improvisers these artists have been working in various combinations for many years, but not as a complete grouping. It is their intention to develop a playing relationship across a series of recorded live events to explore this grouping and varying combinations within it. They will employ various strategies to change the dynamic of each performance. Their instrumentation involves invented instruments, electronics, computer, clarinet & percussion. The nature of the performance space will have an input into their playing, and the relationship with the audience. Quiet, intimate spaces are generally best suited to concentrated, focussed engagement, where the decibel level can occasionally teeter on the threshold of audition. During Unforeseen they will explore playing in some of the different spaces of The Joinery. Each event will be between 60 or 70 mins or so in duration. As the project develops the artists will include images and short sound excerpts at "http://livecomposition.wordpress.com":http://livecomposition.wordpress.com After the performances at The Joinery we intend to continue the project in other venues. Please check our web page for more details. *Biographies* David Lacey is a musician from Dublin. He uses drum set, crude electronics, found objects and cassettes. He plays regularly with Rob Casey, Fergus Kelly, Cian Nugent and Paul Vogel and in the bands Chip Shop Music and Legion of Two. Previous collaborations include Rhodri Davies, Annette Krebs, Keith Rowe and Mark Wastell. Since 2005, he has co-curated, with Paul Vogel, the i-and-e festival of improvised and contemporary music. Recent projects have included a duo with Patrick Farmer and a two-band collaboration between Chip Shop Music and Barcelona trio Atalon. Paul Vogel is an ordinary, standard b-flat, run of the mill type clarinettist. In his spare time he likes to listen to Bix Beiderbecke with his chums. Anthony Kelly and David Stalling collaboration encompasses sound and audiovisual works in multiple forms and media. Using found materials and improvisation as frequent points of departure, they create sound and video compositions ranging from smallscale interventions to immersive, multi-sensory installations, which combine objects, recorded and live sound, still/moving image and objects. Kelly and Stalling also perform live improvisations, as a duo as well as with others, such as The Quiet Club, Barbara Lüneburg and Jennifer Walshe. Some of their recent performances include Just Listening, LSAD Limerick, the i-and-e festival 2011, Dublin, Sonic Vigil, Cork, The Goethe-Institut,Dublin, Hilltown New Music Festival, Visual in Carlow, Soundwave 2, Cobh, and Kaleidoscope at The Odessa Club. They founded the sound art label Farpoint Recordings in 2005, publishing projects by Stephen Vitiello, Jennifer Walshe, Fergus Kelly, The Quiet Club, and Linda O’Keeffe, and many others alongside their own work. Selected performances/exhibitions: 2013: Sonic Vigil at the Lewis Glucksman, Cork; Auralog Fifth Draft: Meer MUir ΘΑΛΑΣΣΑ Sea, Goethe-Institut, Dublin; Sounds Like Art, The Joinery, Dublin. 2012: Hilltown New Music Festival, Co. Westmeath; Strange Attractor, Studio Soto, Boston and Harvestworks, New York. 2011: Strange Attractor, Café Oto and Pigeon Wing, London; Sonic Vigil 6, Triskel, Cork; Hilltown New Music Festival, Co. Westmeath; Auralog Fourth Draft: The Presence Of Trees, The Return Gallery, Goethe Institute, Dublin; Yellow, SOMA, Waterford; Just Listening, LSAD, Limerick; Strange Attractor, Crawford Art Gallery, Cork. 2010/11: Shorelines, touring exhibition, venues include Sir Wilfred Grenfell Gallery, Cornerbrook, Newfoundland, The Rooms, St. Johns, Newfoundland, Mermaid Arts Centre, Wicklow and Siamsa, Co. Kerry and Ten Days On The Island, Tasmania; WAFER at SOMA Contemporary Art Box, Waterford; Sonic Vigil V, St. Fin Barre’s Cathedral, Cork. 2009: Unknown Point as part of Visualise Carlow & Eigse; Frequencies at the Basement Gallery, Dundalk. 2008: Two Places at Ormeau Baths Gallery, Belfast & Limerick University; The Incubation Space - artist residency (Aug - Nov) at The LAB, Dublin; Auralog at This Is Not A Shop gallery, Dublin as part of DEAF festival; screenings at Anthology Film Archives, New York, 2006 & 2008. "www.farpointrecordings.com":www.farpointrecordings.com "www.radiossilent.org":www.radiossilent.org Fergus Kelly is an artist from Dublin working with field recording, soundscape composition, invented instruments and improvisation. He has shown nationally and internationally and received many Arts Council awards. In 2005 he established a CDR label and website, Room Temperature, as an outlet for his solo and collaborative work, producing the CDs Unmoor (2005), Material Evidence (2006), Bevel (2006) (with David Lacey), A Host Of Particulars (2007), Strange Weather (2007), Leaching The Pit (2008), Swarf (2009), Fugitive Pitch (2009) and Long Range (2010). A new album, A Congregation Of Vapours, was released to critical acclaim by Farpoint Recordings in May 2012. "http://www.roomtemperature.org/":http://www.roomtemperature.org/ "http://www.asullenrelapse.blogspot.com/":http://www.asullenrelapse.blogspot.com/ "http://www.soundcloud.com/fergus-kelly":http://www.soundcloud.com/fergus-kelly *Unforeseen* A project by Fergus Kelly, David Lacey, Paul Vogel, Anthony Kelly, David Stalling (This event is the first part in a two-part project.) As improvisers these artists have been working in various combinations for many years, but not as a complete grouping. It is their intention to develop a playing relationship across a series of recorded live events to explore this grouping and varying combinations within it. They will employ various strategies to change the dynamic of each performance. Their instrumentation involves invented instruments, electronics, computer, clarinet & percussion. The nature of the performance space will have an input into their playing, and the relationship with the audience. Quiet, intimate spaces are generally best suited to concentrated, focussed engagement, where the decibel level can occasionally teeter on the threshold of audition. During Unforeseen they will explore playing in some of the different spaces of The Joinery. Each event will be between 60 or 70 mins or so in duration. As the project develops the artists will include images and short sound excerpts at "http://livecomposition.wordpress.com":http://livecomposition.wordpress.com After the performances at The Joinery we intend to continue the project in other venues. Please check our web page for more details. *Biographies* David Lacey is a musician from Dublin. He uses drum set, crude electronics, found objects and cassettes. He plays regularly with Rob Casey, Fergus Kelly, Cian Nugent and Paul Vogel and in the bands Chip Shop Music and Legion of Two. Previous collaborations include Rhodri Davies, Annette Krebs, Keith Rowe and Mark Wastell. Since 2005, he has co-curated, with Paul Vogel, the i-and-e festival of improvised and contemporary music. Recent projects have included a duo with Patrick Farmer and a two-band collaboration between Chip Shop Music and Barcelona trio Atalon. Paul Vogel is an ordinary, standard b-flat, run of the mill type clarinettist. In his spare time he likes to listen to Bix Beiderbecke with his chums. Anthony Kelly and David Stalling collaboration encompasses sound and audiovisual works in multiple forms and media. Using found materials and improvisation as frequent points of departure, they create sound and video compositions ranging from smallscale interventions to immersive, multi-sensory installations, which combine objects, recorded and live sound, still/moving image and objects. Kelly and Stalling also perform live improvisations, as a duo as well as with others, such as The Quiet Club, Barbara Lüneburg and Jennifer Walshe. Some of their recent performances include Just Listening, LSAD Limerick, the i-and-e festival 2011, Dublin, Sonic Vigil, Cork, The Goethe-Institut,Dublin, Hilltown New Music Festival, Visual in Carlow, Soundwave 2, Cobh, and Kaleidoscope at The Odessa Club. They founded the sound art label Farpoint Recordings in 2005, publishing projects by Stephen Vitiello, Jennifer Walshe, Fergus Kelly, The Quiet Club, and Linda O’Keeffe, and many others alongside their own work. Selected performances/exhibitions: 2013: Sonic Vigil at the Lewis Glucksman, Cork; Auralog Fifth Draft: Meer MUir ΘΑΛΑΣΣΑ Sea, Goethe-Institut, Dublin; Sounds Like Art, The Joinery, Dublin. 2012: Hilltown New Music Festival, Co. Westmeath; Strange Attractor, Studio Soto, Boston and Harvestworks, New York. 2011: Strange Attractor, Café Oto and Pigeon Wing, London; Sonic Vigil 6, Triskel, Cork; Hilltown New Music Festival, Co. Westmeath; Auralog Fourth Draft: The Presence Of Trees, The Return Gallery, Goethe Institute, Dublin; Yellow, SOMA, Waterford; Just Listening, LSAD, Limerick; Strange Attractor, Crawford Art Gallery, Cork. 2010/11: Shorelines, touring exhibition, venues include Sir Wilfred Grenfell Gallery, Cornerbrook, Newfoundland, The Rooms, St. Johns, Newfoundland, Mermaid Arts Centre, Wicklow and Siamsa, Co. Kerry and Ten Days On The Island, Tasmania; WAFER at SOMA Contemporary Art Box, Waterford; Sonic Vigil V, St. Fin Barre’s Cathedral, Cork. 2009: Unknown Point as part of Visualise Carlow & Eigse; Frequencies at the Basement Gallery, Dundalk. 2008: Two Places at Ormeau Baths Gallery, Belfast & Limerick University; The Incubation Space - artist residency (Aug - Nov) at The LAB, Dublin; Auralog at This Is Not A Shop gallery, Dublin as part of DEAF festival; screenings at Anthology Film Archives, New York, 2006 & 2008. "www.farpointrecordings.com":www.farpointrecordings.com "www.radiossilent.org":www.radiossilent.org Fergus Kelly is an artist from Dublin working with field recording, soundscape composition, invented instruments and improvisation. He has shown nationally and internationally and received many Arts Council awards. In 2005 he established a CDR label and website, Room Temperature, as an outlet for his solo and collaborative work, producing the CDs Unmoor (2005), Material Evidence (2006), Bevel (2006) (with David Lacey), A Host Of Particulars (2007), Strange Weather (2007), Leaching The Pit (2008), Swarf (2009), Fugitive Pitch (2009) and Long Range (2010). A new album, A Congregation Of Vapours, was released to critical acclaim by Farpoint Recordings in May 2012. "http://www.roomtemperature.org/":http://www.roomtemperature.org/ "http://www.asullenrelapse.blogspot.com/":http://www.asullenrelapse.blogspot.com/ "http://www.soundcloud.com/fergus-kelly":http://www.soundcloud.com/fergus-kelly
*Unforeseen* A project by Fergus Kelly, David Lacey, Paul Vogel, Anthony Kelly, David Stalling (This event is the first part in a two-part project.) As improvisers these artists have been working in various combinations for many years, but not as a complete grouping. It is their intention to develop a playing relationship across a series of recorded live events to explore this grouping and varying combinations within it. They will employ various strategies to change the dynamic of each performance. Their instrumentation involves invented instruments, electronics, computer, clarinet & percussion. The nature of the performance space will have an input into their playing, and the relationship with the audience. Quiet, intimate spaces are generally best suited to concentrated, focussed engagement, where the decibel level can occasionally teeter on the threshold of audition. During Unforeseen they will explore playing in some of the different spaces of The Joinery. Each event will be between 60 or 70 mins or so in duration. As the project develops the artists will include images and short sound excerpts at "http://livecomposition.wordpress.com":http://livecomposition.wordpress.com After the performances at The Joinery we intend to continue the project in other venues. Please check our web page for more details. *Biographies* David Lacey is a musician from Dublin. He uses drum set, crude electronics, found objects and cassettes. He plays regularly with Rob Casey, Fergus Kelly, Cian Nugent and Paul Vogel and in the bands Chip Shop Music and Legion of Two. Previous collaborations include Rhodri Davies, Annette Krebs, Keith Rowe and Mark Wastell. Since 2005, he has co-curated, with Paul Vogel, the i-and-e festival of improvised and contemporary music. Recent projects have included a duo with Patrick Farmer and a two-band collaboration between Chip Shop Music and Barcelona trio Atalon. Paul Vogel is an ordinary, standard b-flat, run of the mill type clarinettist. In his spare time he likes to listen to Bix Beiderbecke with his chums. Anthony Kelly and David Stalling collaboration encompasses sound and audiovisual works in multiple forms and media. Using found materials and improvisation as frequent points of departure, they create sound and video compositions ranging from smallscale interventions to immersive, multi-sensory installations, which combine objects, recorded and live sound, still/moving image and objects. Kelly and Stalling also perform live improvisations, as a duo as well as with others, such as The Quiet Club, Barbara Lüneburg and Jennifer Walshe. Some of their recent performances include Just Listening, LSAD Limerick, the i-and-e festival 2011, Dublin, Sonic Vigil, Cork, The Goethe-Institut,Dublin, Hilltown New Music Festival, Visual in Carlow, Soundwave 2, Cobh, and Kaleidoscope at The Odessa Club. They founded the sound art label Farpoint Recordings in 2005, publishing projects by Stephen Vitiello, Jennifer Walshe, Fergus Kelly, The Quiet Club, and Linda O’Keeffe, and many others alongside their own work. Selected performances/exhibitions: 2013: Sonic Vigil at the Lewis Glucksman, Cork; Auralog Fifth Draft: Meer MUir ΘΑΛΑΣΣΑ Sea, Goethe-Institut, Dublin; Sounds Like Art, The Joinery, Dublin. 2012: Hilltown New Music Festival, Co. Westmeath; Strange Attractor, Studio Soto, Boston and Harvestworks, New York. 2011: Strange Attractor, Café Oto and Pigeon Wing, London; Sonic Vigil 6, Triskel, Cork; Hilltown New Music Festival, Co. Westmeath; Auralog Fourth Draft: The Presence Of Trees, The Return Gallery, Goethe Institute, Dublin; Yellow, SOMA, Waterford; Just Listening, LSAD, Limerick; Strange Attractor, Crawford Art Gallery, Cork. 2010/11: Shorelines, touring exhibition, venues include Sir Wilfred Grenfell Gallery, Cornerbrook, Newfoundland, The Rooms, St. Johns, Newfoundland, Mermaid Arts Centre, Wicklow and Siamsa, Co. Kerry and Ten Days On The Island, Tasmania; WAFER at SOMA Contemporary Art Box, Waterford; Sonic Vigil V, St. Fin Barre’s Cathedral, Cork. 2009: Unknown Point as part of Visualise Carlow & Eigse; Frequencies at the Basement Gallery, Dundalk. 2008: Two Places at Ormeau Baths Gallery, Belfast & Limerick University; The Incubation Space - artist residency (Aug - Nov) at The LAB, Dublin; Auralog at This Is Not A Shop gallery, Dublin as part of DEAF festival; screenings at Anthology Film Archives, New York, 2006 & 2008. "www.farpointrecordings.com":www.farpointrecordings.com "www.radiossilent.org":www.radiossilent.org Fergus Kelly is an artist from Dublin working with field recording, soundscape composition, invented instruments and improvisation. He has shown nationally and internationally and received many Arts Council awards. In 2005 he established a CDR label and website, Room Temperature, as an outlet for his solo and collaborative work, producing the CDs Unmoor (2005), Material Evidence (2006), Bevel (2006) (with David Lacey), A Host Of Particulars (2007), Strange Weather (2007), Leaching The Pit (2008), Swarf (2009), Fugitive Pitch (2009) and Long Range (2010). A new album, A Congregation Of Vapours, was released to critical acclaim by Farpoint Recordings in May 2012. "http://www.roomtemperature.org/":http://www.roomtemperature.org/ "http://www.asullenrelapse.blogspot.com/":http://www.asullenrelapse.blogspot.com/ "http://www.soundcloud.com/fergus-kelly":http://www.soundcloud.com/fergus-kelly *Unforeseen* A project by Fergus Kelly, David Lacey, Paul Vogel, Anthony Kelly, David Stalling (This event is the first part in a two-part project.) As improvisers these artists have been working in various combinations for many years, but not as a complete grouping. It is their intention to develop a playing relationship across a series of recorded live events to explore this grouping and varying combinations within it. They will employ various strategies to change the dynamic of each performance. Their instrumentation involves invented instruments, electronics, computer, clarinet & percussion. The nature of the performance space will have an input into their playing, and the relationship with the audience. Quiet, intimate spaces are generally best suited to concentrated, focussed engagement, where the decibel level can occasionally teeter on the threshold of audition. During Unforeseen they will explore playing in some of the different spaces of The Joinery. Each event will be between 60 or 70 mins or so in duration. As the project develops the artists will include images and short sound excerpts at "http://livecomposition.wordpress.com":http://livecomposition.wordpress.com After the performances at The Joinery we intend to continue the project in other venues. Please check our web page for more details. *Biographies* David Lacey is a musician from Dublin. He uses drum set, crude electronics, found objects and cassettes. He plays regularly with Rob Casey, Fergus Kelly, Cian Nugent and Paul Vogel and in the bands Chip Shop Music and Legion of Two. Previous collaborations include Rhodri Davies, Annette Krebs, Keith Rowe and Mark Wastell. Since 2005, he has co-curated, with Paul Vogel, the i-and-e festival of improvised and contemporary music. Recent projects have included a duo with Patrick Farmer and a two-band collaboration between Chip Shop Music and Barcelona trio Atalon. Paul Vogel is an ordinary, standard b-flat, run of the mill type clarinettist. In his spare time he likes to listen to Bix Beiderbecke with his chums. Anthony Kelly and David Stalling collaboration encompasses sound and audiovisual works in multiple forms and media. Using found materials and improvisation as frequent points of departure, they create sound and video compositions ranging from smallscale interventions to immersive, multi-sensory installations, which combine objects, recorded and live sound, still/moving image and objects. Kelly and Stalling also perform live improvisations, as a duo as well as with others, such as The Quiet Club, Barbara Lüneburg and Jennifer Walshe. Some of their recent performances include Just Listening, LSAD Limerick, the i-and-e festival 2011, Dublin, Sonic Vigil, Cork, The Goethe-Institut,Dublin, Hilltown New Music Festival, Visual in Carlow, Soundwave 2, Cobh, and Kaleidoscope at The Odessa Club. They founded the sound art label Farpoint Recordings in 2005, publishing projects by Stephen Vitiello, Jennifer Walshe, Fergus Kelly, The Quiet Club, and Linda O’Keeffe, and many others alongside their own work. Selected performances/exhibitions: 2013: Sonic Vigil at the Lewis Glucksman, Cork; Auralog Fifth Draft: Meer MUir ΘΑΛΑΣΣΑ Sea, Goethe-Institut, Dublin; Sounds Like Art, The Joinery, Dublin. 2012: Hilltown New Music Festival, Co. Westmeath; Strange Attractor, Studio Soto, Boston and Harvestworks, New York. 2011: Strange Attractor, Café Oto and Pigeon Wing, London; Sonic Vigil 6, Triskel, Cork; Hilltown New Music Festival, Co. Westmeath; Auralog Fourth Draft: The Presence Of Trees, The Return Gallery, Goethe Institute, Dublin; Yellow, SOMA, Waterford; Just Listening, LSAD, Limerick; Strange Attractor, Crawford Art Gallery, Cork. 2010/11: Shorelines, touring exhibition, venues include Sir Wilfred Grenfell Gallery, Cornerbrook, Newfoundland, The Rooms, St. Johns, Newfoundland, Mermaid Arts Centre, Wicklow and Siamsa, Co. Kerry and Ten Days On The Island, Tasmania; WAFER at SOMA Contemporary Art Box, Waterford; Sonic Vigil V, St. Fin Barre’s Cathedral, Cork. 2009: Unknown Point as part of Visualise Carlow & Eigse; Frequencies at the Basement Gallery, Dundalk. 2008: Two Places at Ormeau Baths Gallery, Belfast & Limerick University; The Incubation Space - artist residency (Aug - Nov) at The LAB, Dublin; Auralog at This Is Not A Shop gallery, Dublin as part of DEAF festival; screenings at Anthology Film Archives, New York, 2006 & 2008. "www.farpointrecordings.com":www.farpointrecordings.com "www.radiossilent.org":www.radiossilent.org Fergus Kelly is an artist from Dublin working with field recording, soundscape composition, invented instruments and improvisation. He has shown nationally and internationally and received many Arts Council awards. In 2005 he established a CDR label and website, Room Temperature, as an outlet for his solo and collaborative work, producing the CDs Unmoor (2005), Material Evidence (2006), Bevel (2006) (with David Lacey), A Host Of Particulars (2007), Strange Weather (2007), Leaching The Pit (2008), Swarf (2009), Fugitive Pitch (2009) and Long Range (2010). A new album, A Congregation Of Vapours, was released to critical acclaim by Farpoint Recordings in May 2012. "http://www.roomtemperature.org/":http://www.roomtemperature.org/ "http://www.asullenrelapse.blogspot.com/":http://www.asullenrelapse.blogspot.com/ "http://www.soundcloud.com/fergus-kelly":http://www.soundcloud.com/fergus-kelly *Unforeseen* A project by Fergus Kelly, David Lacey, Paul Vogel, Anthony Kelly, David Stalling (This event is the first part in a two-part project.) As improvisers these artists have been working in various combinations for many years, but not as a complete grouping. It is their intention to develop a playing relationship across a series of recorded live events to explore this grouping and varying combinations within it. They will employ various strategies to change the dynamic of each performance. Their instrumentation involves invented instruments, electronics, computer, clarinet & percussion. The nature of the performance space will have an input into their playing, and the relationship with the audience. Quiet, intimate spaces are generally best suited to concentrated, focussed engagement, where the decibel level can occasionally teeter on the threshold of audition. During Unforeseen they will explore playing in some of the different spaces of The Joinery. Each event will be between 60 or 70 mins or so in duration. As the project develops the artists will include images and short sound excerpts at "http://livecomposition.wordpress.com":http://livecomposition.wordpress.com After the performances at The Joinery we intend to continue the project in other venues. Please check our web page for more details. *Biographies* David Lacey is a musician from Dublin. He uses drum set, crude electronics, found objects and cassettes. He plays regularly with Rob Casey, Fergus Kelly, Cian Nugent and Paul Vogel and in the bands Chip Shop Music and Legion of Two. Previous collaborations include Rhodri Davies, Annette Krebs, Keith Rowe and Mark Wastell. Since 2005, he has co-curated, with Paul Vogel, the i-and-e festival of improvised and contemporary music. Recent projects have included a duo with Patrick Farmer and a two-band collaboration between Chip Shop Music and Barcelona trio Atalon. Paul Vogel is an ordinary, standard b-flat, run of the mill type clarinettist. In his spare time he likes to listen to Bix Beiderbecke with his chums. Anthony Kelly and David Stalling collaboration encompasses sound and audiovisual works in multiple forms and media. Using found materials and improvisation as frequent points of departure, they create sound and video compositions ranging from smallscale interventions to immersive, multi-sensory installations, which combine objects, recorded and live sound, still/moving image and objects. Kelly and Stalling also perform live improvisations, as a duo as well as with others, such as The Quiet Club, Barbara Lüneburg and Jennifer Walshe. Some of their recent performances include Just Listening, LSAD Limerick, the i-and-e festival 2011, Dublin, Sonic Vigil, Cork, The Goethe-Institut,Dublin, Hilltown New Music Festival, Visual in Carlow, Soundwave 2, Cobh, and Kaleidoscope at The Odessa Club. They founded the sound art label Farpoint Recordings in 2005, publishing projects by Stephen Vitiello, Jennifer Walshe, Fergus Kelly, The Quiet Club, and Linda O’Keeffe, and many others alongside their own work. Selected performances/exhibitions: 2013: Sonic Vigil at the Lewis Glucksman, Cork; Auralog Fifth Draft: Meer MUir ΘΑΛΑΣΣΑ Sea, Goethe-Institut, Dublin; Sounds Like Art, The Joinery, Dublin. 2012: Hilltown New Music Festival, Co. Westmeath; Strange Attractor, Studio Soto, Boston and Harvestworks, New York. 2011: Strange Attractor, Café Oto and Pigeon Wing, London; Sonic Vigil 6, Triskel, Cork; Hilltown New Music Festival, Co. Westmeath; Auralog Fourth Draft: The Presence Of Trees, The Return Gallery, Goethe Institute, Dublin; Yellow, SOMA, Waterford; Just Listening, LSAD, Limerick; Strange Attractor, Crawford Art Gallery, Cork. 2010/11: Shorelines, touring exhibition, venues include Sir Wilfred Grenfell Gallery, Cornerbrook, Newfoundland, The Rooms, St. Johns, Newfoundland, Mermaid Arts Centre, Wicklow and Siamsa, Co. Kerry and Ten Days On The Island, Tasmania; WAFER at SOMA Contemporary Art Box, Waterford; Sonic Vigil V, St. Fin Barre’s Cathedral, Cork. 2009: Unknown Point as part of Visualise Carlow & Eigse; Frequencies at the Basement Gallery, Dundalk. 2008: Two Places at Ormeau Baths Gallery, Belfast & Limerick University; The Incubation Space - artist residency (Aug - Nov) at The LAB, Dublin; Auralog at This Is Not A Shop gallery, Dublin as part of DEAF festival; screenings at Anthology Film Archives, New York, 2006 & 2008. "www.farpointrecordings.com":www.farpointrecordings.com "www.radiossilent.org":www.radiossilent.org Fergus Kelly is an artist from Dublin working with field recording, soundscape composition, invented instruments and improvisation. He has shown nationally and internationally and received many Arts Council awards. In 2005 he established a CDR label and website, Room Temperature, as an outlet for his solo and collaborative work, producing the CDs Unmoor (2005), Material Evidence (2006), Bevel (2006) (with David Lacey), A Host Of Particulars (2007), Strange Weather (2007), Leaching The Pit (2008), Swarf (2009), Fugitive Pitch (2009) and Long Range (2010). A new album, A Congregation Of Vapours, was released to critical acclaim by Farpoint Recordings in May 2012. "http://www.roomtemperature.org/":http://www.roomtemperature.org/ "http://www.asullenrelapse.blogspot.com/":http://www.asullenrelapse.blogspot.com/ "http://www.soundcloud.com/fergus-kelly":http://www.soundcloud.com/fergus-kelly